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The Big Profile
By Dave Itzkoff

Juno Temple enjoyed a unique childhood as the daughter of the movie and music-video director Julien Temple, whether she was dancing on stage with Joe Strummer or benefiting from her dad’s horticultural skills. “I was obsessed with ‘Alice in Wonderland,’ ” says the actress, a star of films like “Killer Joe” and “The Brass Teapot,” “and he made this giant garden hedge for me, which is short at one end and grows taller, so when I used to run up and down it, I’d feel like I was growing and shrinking.”

If you haven’t heard of Juno Temple yet, you soon will.
The up-and-coming British actress starred opposite Angelina Jolie in the summer blockbuster “Maleficent” and has a role beside Johnny Depp in the upcoming Whitey Bulger flick, “Black Mass.”
Part of a crop of hot young actresses making a name in Hollywood and the indie film world, the 25-year-old actress was singled out last year by the public, which voted to award her the EE Rising Star BAFTA Award.
“There are some truly extraordinary young women actresses right now, like Jennifer Lawrence, Mia Wasikowska, Elizabeth Olsen,” the Somerset, England-born actress told her “Horns” co-star, Daniel Radcliffe, for the inaugural issue of Heroine magazine. “You watch them and you forget sometimes that you’re even watching them. They are so young but know the craft in such an old way, and I love that so much. So if the job doesn’t go your way, you’re just as excited to see the film anyway.”

But lately, things have been going Temple’s way, like adopting a Boston accent to play opposite Depp.
“Johnny Depp playing Whitey Bulger was just one of the most amazing transitions I’ve ever seen,” she told Radcliffe for Heroine. “He had these crazy contact lenses in his eyes that almost reminded me of lizards, so when you were acting with him you were genuinely quite frightened, but he was lovely, so encouraging.”
Here are five things you need to know about Temple:
She Comes From a Rebel Family
Her father, Julien Temple, a fan of punk music, directed the 1979 Sex Pistols documentary “The Great Rock and Roll Swindle,” as well as videos for The Rolling Stones and The Kinks. Her aunt, Nina Temple, was the last secretary of the British Communist Party, and her grandfather, Langdon Temple, once ran a travel agency specializing in Communist countries.
She Grew Up in a Fairytale House
Temple grew up with her father, mother Amanda Pirie, a producer, and two younger brothers in a 14th century house in Taunton, Somerset.
“As kids, we lived in this magical world and roamed free in the gardens,” she told The Telegraph earlier this year. “I was constantly in fancy dress and in character as a kid.”
No surprise, then, that Temple has a thing for fairies and flipped when she got the chance to play one beside Jolie, even if most of her time on set was spent filming in a “giant white room wearing a wet suit with ping pong balls all over it,” as she told Heroine. “I had all these ink dots all over my face and I was filming with a 10-foot-tall version of Angelina Jolie’s face.”
She Got Started as Child Actress
It’s no surprise, given her childhood, that Temple announced to her parents that she wanted to become an actress. Her first role, at 8, was in one of her father’s films. At age 12, she auditioned and won the role of Cate Blanchett’s sulky teenage daughter in “Notes on a Scandal.” By the time she left boarding school, she had worked on 11 films, and her co-star in “St Trinian’s 2: The Legend of Fratton’s Gold,” Rupert Everett, helped her write her essay for completing her secondary education.
Though she’s 25, Temple can still look like a child actress.
“I’m still at a stage where sometimes I look 18,” she told Radcliffe. “Some days people tell me I look 14, which is a bit of a shock … and then sometimes I look 25.”
She Prefers Character to Leading Lady Roles
Temple has already been cast in more than 30 film roles, including a 12-year-old girl whose virginity is offered as collateral to Matthew McConaughey’s hit man, a schizophrenic insomniac and a woman who is raped and murdered.
“I usually like to play a woman who’s got s*** going on,” she told The Telegraph. “I’m not sure I ooze leading lady, I’m not the high school catch. I’ve been lucky with characters.”
Her Boyfriend Is a Fellow Actor
Temple lives with her boyfriend, actor Michael Angarano, whom she met on the set of 2012′s “Brass Teapot,” in a 1920s Los Angeles bungalow filled with vintage clothes and British flags. According to The Telegraph, she once collected Angarano from the airport in nothing but underwear, heels and a raincoat.

Source

As Juno Temple and I sit outside at Los Angeles’ Burbank studios to discuss her role in Disney’s Maleficent, a crow swoops down like a dark shadow over us and lands, menacingly, on our table, its black iridescent wings outstretched. In the Californian sunshine, this aerial assault is so timely, it’s as if the studio has engineered it for us. “It’s Maleficent!” Temple cries, her eyes widening in cartoon-style, “Like Angelina Jolie is present.”
The 24-year-old British actress stars as the young fairy Thistletwit, alongside a winged and horned Jolie, in the revisionist tale about the Mistress of All Evil from Disney’s original 1959 Sleeping Beauty. Whether you think the film, directed by special effects guru Robert Stromberg, is a triumph or something slightly short of that, the casting is spot on. Jolie is a dead ringer for the dark queen, even without visual enhancements; and the mental leap from Temple, tiny and ethereal in a dinky lilac vintage dress before me, to a bonkers, teenage pixie is small. She’s like a sprite in beaten-up biker boots; and she says she feels an affinity to fairies too. “I had this imaginary world where fairies were my friends. If you told six year-old Juno that she’d one day play a Disney fairy, she’d totally freak out,” she enthuses at an alarming speed, her Somerset-bred accent now submerged in thick, twangy Los Angelino (she has been a city resident since 2008). Her vocal pitch and perpetual sense of wonder could still be mistaken for a six-year old’s. “I still have one foot in that magical world. I never want to lose that.”
If taken on first impressions alone, it might be easy to dismiss Temple as a gushy, Bonnie Langford type, a child star trapped in the body of a woman (she started acting when she was eight). But this would be a mistake. In her career, which has already spanned 32 feature films and an EE Rising Star Bafta awarded last year, Temple has shown a taste for darkly complex, unstable female characters which she has embraced with emotional maturity.
After early turns as spiky, petulant school girls in films like Notes on a Scandal in 2002 – a part she won at her first professional audition – and Joe Wright’s adaptation of Ian McEwan’s Atonement in 2007, she has explored the borders of the female psyche in mainly independent films.
She has played a 12-year-old Texan trailer trash girl whose virginity is offered as collateral to a hitman in Killer Joe; a stripper-cum-sex worker in Afternoon Delight; a lesbian lycanthrope in Jack and Diane; a schizophrenic insomniac in Magic Magic; and the murdered girlfriend of a man with Satanic powers, played by Daniel Radcliffe, in Horns out later this year. That’s more edgy, challenging roles than most actresses take on in a lifetime.
“I usually like to play a woman who’s got s— going on,” she tells me. “I’m not sure I ooze leading lady, I’m not the high school catch. I’ve been lucky with characters, but some are real headf—-.” She talks as if she’s on fast forward. “That’s why it’s so important to have a director you trust, who can bring your feet back to earth when you’re weeping in a hole after being beaten up.” She remembers Joe Wright reassuring her, when, at 16, she was left traumatised by the sexual abuse scene in Atonement: “Your character is f—ed up, but Juno’s okay.” She says now: “I’ve had to do a couple of rape scenes and they’re f—ing rough. There’s a brutal one in Horns, then I have to play dead. I’m not good at it because I have an overactive vein in my neck. It’s screaming: ‘I’m not ready to die yet!’”

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